Moonraker’s 45th: When outer space belonged to 007
Adapted and updated from a 2014 post. June marks the 45th anniversary of Moonraker, a James Bond movie fans either like or despise. Producer Albert R. Broccoli sought to make the most extravagant Bond film ever. (Broccoli likely would not image the $…
June marks the 45th anniversary of Moonraker, a James Bond movie fans either like or despise.
Producer Albert R. Broccoli sought to make the most extravagant Bond film ever. (Broccoli likely would not image the $300 million or so spent on 2021's No Time to Die). The film's first-draft script was too big even for the ambitions of the veteran producer.
Twin mini jets, a jet pack and a keel hauling sequence were removed in subsequent drafts. Some of the ideas would be used in the next two films in the series, For Your Eyes Only and Octopussy.
But there was plenty left, including taking Agent 007 into outer space (or Outer Space! as it was spelled in the list of locations in the end titles). Writer Tom Mankiewicz did uncredited work to develop the story. Screenwriter Christopher Wood received the only screen credit for the film.
Broccoli and United Artists initially wanted to spend about $20 million, a substantial hike from the previous 007 adventure, The Spy Who Love Me. It soon became evident the budget would have to be even higher, costing more than $30 million. Today, that's a pittance. Back then, it was a huge investment.
Broccoli and director Lewis Gilbert had teased the audience in 1967's You Only Live Twice with the idea of Bond going into space. In that film, Ernst Stavro Blofeld catches Sean Connery's Bond in a mistake before Bond can be launched into orbit.
This time out, Broccoli and Gilbert would not use such restraint. Roger Moore's Bond would go into space, in a spacecraft modeled after the space shuttles that NASA had in development.
Rave Reviews
As with other Bond films of the era, there was a lot of humor, including pigeons doing double takes and henchman Jaws (Richard Kiel) suffering various indignities. The movie got good reviews from some critics, including Frank Rich, then of Time magazine. A sample of Rich's take: " When Broccoli lays out a feast, he makes sure that there is at least one course for every conceivable taste."
Also singing Moonraker's praises was reviewer Vincent Canby (1924-2000) of The New York Times.
Moonraker, Canby wrote, was "one of the most buoyant Bond films of all. It looks as if it cost an unconscionable amount of money to make, though it has nothing on its mind except dizzying entertainment, which is not something to dismiss quickly in such a dreary, disappointing movie season."
Bond fans have a more mixed reaction. Some feel it's too far from the spirit of the original Ian Fleming novels. For examples, CLICK HERE. Others, while acknowledging there isn't much from Fleming's namesake novel, are more than content to go along for the ride.
The final film bears more than a passing resemblance to the 1966 Dino De Laurentiis-produced Kiss the Girls and Make Them Die. Both films feature a villain who feels Earth is getting overpopulated and is willing to go to extreme lengths to address that problem.
The 1966 film was also filmed in Brazil and arguably makes better use of the locations. However, during Moonraker's release, Kiss the Girls was mostly forgotten and there wasn't the kind of home video for viewers to compare the two movies.
Despite the higher budget, Broccoli & Co. weren't willing to pay what major U.S. special effects houses wanted. Instead, Derek Meddings used decidedly lower-tech ways to simulate a fleet of Moonraker rockets launching into space and meeting up with a space station. Meddings and his crew an Academy Award nomination. Meddings & Co. lost to Alien.
For Moonraker, it was a major accomplishment to get the nomination. Meddings and his special effects colleagues were the only crew members working at England's Pinewood Studios. The home base for Moonraker was Paris because of tax reasons.
Two stalwarts of the Bond series, composer John Barry and production designer Ken Adam were also aboard. Moonraker monopolized stages at three Paris studios with Adam's sets. It would be designer's farewell to the series. Shirley Bassey performed the title song, her third and final 007 film effort.
In the end, Moonraker was a success at the box office. The movie's $210.3 million worldwide box office was the most for the series to date.
A Different Era
Broccoli changed course soon after, with 1981's For Your Eyes Only being much more down to earth, with a greater emphasis on Ian Fleming original source material. Never again would Broccoli or United Artists (or Metro-Goldwyn-Mayer, which acquired UA in 1981) attempt a spectacle on this scale.
Moonraker also is a symbol of a different 007 era.
Albert R. Broccoli only cared about entertainment. In the 21st century, Eon Productions has chased after Oscars and prestige, seeking out writers such as Peter Morgan and directors such as Danny Boyle (both of whom ended up dropping out of 007 film projects). You can't image the current principals of Eon even attempting a Moonraker.
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